Article
Article name Change of Tonality and Dominant Images in the Ural Poetry of the Modern Era
Authors Golovanova E.I.Doctor of Philology, Professor ligol@csu.ru
Bibliographic description
Section
DOI
UDK 801.73
Article type
Annotation The article reveals dominant features of the image and the meaning of the Ural poetic text, i. e. attention to natural and cultural specificity of the region, harmonization of space, poeticization of human labour. It is proved that the creative work of the prominent Ural poets B. Ruch’ev, L. Tat’yanicheva, A. Kunitsin, and V. Bogdanov is characterized by the content focus. The author states that in the new era there is a change of tonality and key meaning images in the Ural poetry: national urban motives sound more increasingly, being associated with the eschatological experience of peace, abandoned romanticization of a human being and his activities. On the example of a new collection of poems by S. Borisov, a contemporary Chelyabinsk author and winner of several regional literary awards, transformation of images and motives in the Ural poetry of the twenty-first century is shown.
Key words Ural poetry, poetic text, dominant image, motive.
Article information
References 1. Borisov S. K. Otchuzhdenie, ili Chetyre knigi o glavnom. Cheljabinsk: Cicero, 2011. 131 s. 2. Golovanova E. I. «Ural’skij tekst»: lokal’nyj mir gornozavodskoj kul’tury v hudozhestvennom prostranstve fol’klora i literatury // Interpretacija teksta: lingvisticheskij, literaturovedcheskij i metodicheskij aspekty: materialy III Mezhdunar. nauch. konf. / Zabajkal. gos. gum.-ped. un-t. Chita, 2010. S. 329–332. 3. Miljukova E. V. Iz «prohodnoj» v «dushevuju»: rabochij pojet v juzhnoural’skoj zavodskoj kartine mira // Kirpichiki: Fol’kloristika i kul’turnaja antropologija segodnja: sb. st. M.: RGGU, 2008. S. 178–187. 4. Russkij slovar’ jazykovogo rasshirenija / sost. A. I. Solzhenicyn. M.: Nauka, 1990. 272 s. 5. Shabantuev M. F. Reka doverija. Cheljabinsk: Juzh.-Ural. kn. izd-vo, 1998. 170 s.
Full articleChange of Tonality and Dominant Images in the Ural Poetry of the Modern Era