| Article |
|---|
| Article name |
Natural and Philosophical Contexts of the Creative Phenomenon in “Pure Art” Supporters’ Consciousness |
| Authors |
Gavrilenko T.A. Doctor of Philology, professor gta1027@mail.ru |
| Bibliographic description |
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| Section |
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| DOI |
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| UDK |
82 |
| Article type |
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| Annotation |
On the material of the works of Russian romantic poets of the 2nd third of the 19th century, the
paper considers the imagery mapping of the “pure art” analogy between nature and creativity which is
regarded as the leading trend. It is understood as one of the main reasons for active poets’ appeal to the
topic of nature and is recognized as the aesthetic principle that forms typology. Taking into account the
manifestations of the idea that preceded “pure art” in literary criticism and the first decades romantic
poetry, the author traces the philosophical origins of this phenomenon, which dates back to the philosophy
of Schelling. The understanding of the creative process close to the laws of natural life influenced
the tradition of Russian Romanticism, defined its unique manifestation. It became an important cultural
factor and a source for the development of “pure art”.
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| Key words |
nature, creativity, “pure art”, aestheticism, creative freedom, beauty, “fire” and “star”
metaphors. |
| Article information |
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| References |
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| Full article | Natural and Philosophical Contexts of the Creative Phenomenon in “Pure Art” Supporters’ Consciousness |
